Book Reviews

(2021). Andrew F. Jones Circuit Listening:  Chinese Popular Music in the Global 1960s. University of Minnesota Press, 2020. MCLC resource center,

(2021). Review of Denise Ho: Becoming the Song. Directed by Sue Williams. Pacific Affairs, 94(4), 796-798.

Jessica Milber Davis and Jocelyn Chey, Humour in Chinese Life and Culture: Resistance and Control in Modern Times. Hong Kong: Hong Kong University Press. In: Humour. Vol. 28, 4, 2015: 647–649.

John Street, “Music and Politics,” European Journal of Communication. Vol. 29, 4, 2014: 511-513.

Mark L. Moskowitz, “Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations” in: The China Quarterly, vol. 210, 2012: 537-539.

Yomi Braester, “Painting the City Red: Chinese Cinema and the Urban Contract” in: China Information, vol. 26, no. 3, 2012: 397-398.

Monroe E. Price & Daniel Dayan (Eds.), “Owning the Olympics: Narratives of the New China,” in: International Journal of Communication 3, 2010: 641-646. [Link]

Michael Keane, “Created in China: The Great New Leap Forward” in: China Information, vol. 23, no. 2, 2009: 519-522.

With Yiu Fai Chow, Zhang Zhen (ed.), “The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century,” (Duke University Press), in: China Information, vol. 22, no. 3, 2008: 519-522.

Claire Huot “China’s New Cultural Scene” (Duke University Press), in: China Information, Vol. XV, no. 2, 2001: 179-181.

Andreas Steen “Der Lange Marsch des Rock’n’Roll: Pop- und Rockmusik in der Volksrepublik China” in: China Information, Vol. XIII, Nos. 2/3, 1999: 146-148.